Editorial note : The Glo-c-ality of the Greek Classics
Part of : Γράμμα : περιοδικό θεωρίας και κριτικής ; Vol.22, No.1, 2014, pages 5-12
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5-12
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References (1):
- Chaouli, Michael. "Criticism and Style." New Literary History 44.3 (2013): 323-44. Print.Innés, Christopher. "Introduction: Remaking Modem Classics." Modem Drama XLIII. 2 (2000): 248-51. Print.Ioannidou, Eleftheria. "From Translation to Performance Reception: The Death of the Author and the Performance Text." Theorising Performance: Greek Drama, Cultural History and Critical Practice. Eds. Edith Hall and Stephie Harrop. London: Duckworth, 2010. 208-17. Print.Fischer-Lichte, Erika. "Between Text and Cultural Performance: Staging Greek Tragedies in Germany." Theatre Survey 40.1 (1999): 52-73. Print.Foley, Helene. "Modern Performance and Adaptation of Greek Tragedy." Transactions of the American Philological Society 129 (1999): 1-12. Print.Hall, Edith. "Greek Tragedy and Tragic Fragments Today." Greek Tragedy: Suffering Under the Sun. Oxford: Oxford UP, 2010. Print.Kershaw, Baz. "Cross-Cultural Performance in a Globalized World." Theatreforum 8 (1996): 67-71. Print.Turner, Victor. "Liminal to Liminoid, in Play, Flow, and Ritual." From Ritual to Theatre: The Human Seriousness of Play. New York: PAJ, 1982. Print.Wellman, Mac. "A Play for a Broken World." Theater 32.2 (2002): 57-61. Print.Zinder, David. "Classical Dreams: Adaptations of Classics." Critical Stages 3 (2010): n.pag. Web. 12 June 2010.
